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The FOCUS Wales Festival Conference is back for its 15th edition, taking place across 8th – 10th May 2024, in Wrexham, Wales. The conference is an internationally recognised global …
Year: - 2025 - God Is In The TV
1 天前 · This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your …
2025 - Page 2 Of 3 - God Is In The TV
4 天之前 · NEWS: Somebody’s Child releases new single ‘Last Night I Held Your Hand’ and confirms instore dates
Tracks Of The Week #302 - God Is In The TV
4 天之前 · Billie Maree – Open Myself To. Why we love it: Totnes artist Billie Maree has quietly established a compelling reputation for delicate folk-inflected tunes, haunted by the ancient …
About | God Is In The TV | Online Music & Culture Zine
HISTORY AND PRESENT. God is in the TV is an online music and culture fanzine founded in Cardiff by the editor Bill Cummings in 2003. GIITTV Bill has developed the site with the aid of …
GIITTV: Albums of the Year for 2024: 25 -1 - God Is In The TV
2024年12月18日 · 21. Cindy Lee – Diamond Jubilee. If David Lynch had a late-night radio show, it would sound like Diamond Jubilee.Patrick Flegel, once the chaotic heart of Women, strips pop …
Tracks of the Week #296 - God Is In The TV
2024年10月28日 · Keyside – Rhianna, Please Don’t Cry. Why we love it: Liverpool four-piece, Keyside, are front and centre of the burgeoning scene that is revitalising the city’s sound, with …
Tracks of the Week #295 - God Is In The TV
2024年10月21日 · Pit Pony – Well Well . Why we love it: Newcastle’s Pit Pony share new single ‘Well Well’ released via Clue Records and EMI North.Inspired by a moment of literary …
Tracks of the Week #297 - God Is In The TV
2024年11月4日 · Fionn Regan- O Avalanche. Why we love it: ‘O Avalanche‘ is the sublime titular track from Fionn Regan‘s latest album featuring his long-standing friend Anna Friel, whose …
Tracks of the Week #241 - God Is In The TV
2023年8月14日 · The Natvral- Summer of Hell. Why we love it: “These songs live somewhere between the climate crisis of 1816, the climate crisis of now, and the climate crisis of the …