Coil's first album proper is an alchemist's mix of synth pop, industrial, avant garde, rage, humour and transgression ...

The latest work by Irish composer/sound artist Gerard Gormley under the moniker of Being Strangers is an acoustic exploration ...

It’s 1999, and a school IT lesson deep in the south east London suburbs. Our teacher asked who had a “home PC,” and everyone ...

In the third edition of his column exploring the new wave of boundary-pushing folk and traditional music, Patrick Clarke delves into music's role in our intimate relationship with place, and rounds up ...

The Manics have abandoned the ideologies and cultural touchstones that once defined them, and approached their fifteenth ...

The centrepiece of Wong Kar-wai's melancholy drama Happy Together is a raw depiction of gay romance, but it speaks to the filmmaker's wider fascination with Hong Kong migrant cinema, finds Ian Wang ...

A series of studio experiments a quarter of a century ago changed the face of soul music for the 21st C, and D'Angelo's ...

After cheering up the nation with her lockdown kitchen discos, Sophie Ellis-Bextor takes Fergal Kinney through her 13 favourite albums, from Blur to Madonna, Paul Simon and Fleetwood Mac and musicals ...

The Cult will tour the UK next year and have released new material earlier this month. Our man John Robb spoke to singer Ian Astbury about the history of The Cult ...

In his Baker's Dozen, the Circle frontman talks about converting people to the Dead; why Pori might have the highest concentration of Cardiacs fans in Europe, and what he learned from Faust's ...

Barnaby Southcombe and his leading lady/mum Charlotte Rampling chat to Anna Coatman about their London noir, which opens in cinemas this Friday ...

Adam Lehrer talks to Phil Todd and Mel Ó Dubhshláine about the release of an expansive anthology charting almost 30 years' work by cult psychedelic band, Ashtray Navigations In this month’s Genre is ...