New York Classical Review1 天
SongStudio young artists bring light to darkness
The first half of the program, “Light in Darkness,” featured newly commissioned works by writer a.k. payne, paired with art ...
New York Classical Review5 天
Nézet-Séguin, Philadelphia Orchestra twine music of grief and loss by Heggie, Mahler
In the Ninth Symphony, Mahler examines death from an internal, personal view. Through the music, Mahler sees the end and ...
New York Classical Review8 天
Sequentia spins a medieval German saga for Music Before 1800
Early music concerts are a form of time travel. With “Gregorius—The Holy Sinner,” Music Before 1800 transported the audience ...
New York Classical Review11 天
Terfel returns to Met, ignites with Radvanovsky in “Tosca”
As they did in 2021, Sondra Radvanovsky and Brian Jagde reunited as Floria Tosca and her painter-lover Mario Cavaradossi.
New York Classical Review8 天
Levit’s explorative Brahms provides the highlight at Carnegie
That brings one to pianist Igor Levit’s performance at Carnegie Hall on Sunday afternoon. Levit is one of the great ...
New York Classical Review12 天
A romantic program finds its footing with Bell, Philharmonic
Those listeners heard him play Dvořák’s Violin Concerto, but missed Tchaikovsky’s Symphony No. 4 on the second half. Opening ...
New York Classical Review4 天
No words but plenty of drama in Stutzmann’s “Ring” with the Philharmonic
If you like looking at pictures of Alfred Roller’s sets for Götterdāmmerung or portraits of Jean de Reszke as Siegfried or Birgit Nilsson as Brünnhilde, you would likely have enjoyed the New York ...
New York Classical Review14 天
Tenor Pati makes an ardent Met debut in “Rigoletto”
Verdi’s Rigoletto returned to the Metropolitan Opera on Monday with a fresh cast under the baton of Daniele Callegari. The performance featured the house debut of tenor Pene Pati as the Duke of Mantua ...
New York Classical Review9 天
A starry cast breathes fresh, convivial life into Met’s “Bohème”
Like the things Mimì cherishes—sweet, charming, and full of dreams and wonder—Saturday evening’s performance captured all ...
New York Classical Review18 天
Edusei roams widely and brilliantly in Philharmonic debut
In an impressive Philharmonic debut, the German conductor Kevin John Edusei presented a brilliant calling card in Samy Moussa’s Elysium, then took listeners on poetic and philosophical trips with ...